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POETRY

GAYATRI MAJUMDAR

Becoming Man

It’s always a choice one makes –

not based on in-formed decision-taking,

but on something whispered like in a prayer.

Who would want to carry that burden?

Heavy with sighs and sweat

bearing the cross of love’s treachery;

minced nights, days of confusions

that cut skin-deep: becoming man

but unbroken. No blood shed yet.

It’s far more sensible to become than

to be, say, loved or accepted –

It’s a reenactment, minute-by-lifetime

of persuasions to be whole in a fractured planet;

presentable anyhow to slow seas and a teary moon.

It’s not in the attire – but in the intellect:

the heart must perennially remain well-armored.

It’s a forever dance with oneself

grooming in steps with cosmic rhythms;

a timid heart camouflaged

with bowties, rage and pretty red lips;

just at the edge of the gaze of patriarchy.

In this duality yet,

in complete unison with the other, lover.

Gayatri Majumdar founded, edited and published the critically acclaimed Indian literary journal, The Brown Critique (since 1995). Her books include A Song for Bela (2017) and Poetry Collections: Shout (Sampark, 2000), I Know You Are Here, A Warm Place with No Memory (Red River, 2019 and 2023 respectively) and The Dream Pod (Copper Coin; 2022). Her non-fictional works include The Lotus of the Heart (2021) and Home Anthology (Brown Critique Books). Gayatri lives in Pondicherry and curates the popular Pondicherry/Auroville Poetry Festival. Widely published, she also writes on spiritual/travel topics. Her poems are a part of New Anthology (2024) which features 20 major Indian-English poets.

Gayatri Majumdar

Taking off at the Indian Airport

Airports are strange territories,

sad and distanced –

robbing you of belongings that were never yours.

Srinagar security check-in: She says,

“yeh nahi jayega” besides,

these river pebbles from Pahalgam

do not belong to you; in your fist,

they have only one use – as weapons.

After all, she adds, you are not a river;

for I do not see you as something that gurgles,

becalming streaming down dancing with the flow.

To demonstrate, she takes perfect aim

air-lifting pebbles into the bin.

At Chennai, she admonishes: Are you unaware

of these restricted items? (Licking away

the little flame left in me.)

This light should be carried within you,

candles are for alters, not for the skies;

you cannot hold them against it! You should’ve known!

At Jolly Grant, Dehradun, the woman just would not budge –

lest I smuggle it in – the trusting thing –

an empty coconut sanctified by

the priest of my inner temple.

“Okay, then. Eat it or return it to its origins”;

I let it go.

Airports continue to be unreal –

illusions of timelessness: when as its boarding time;

it’s a complete waste of time, even when we need to reach

someplace in a hurry!

You are stripped, unbuckled of everything,

yet they make you sprint – transporting you somewhere else

in motionless space – inevitably back to yourself.

And the less I consider Delhi airport, the better.

It’s a warzone, mostly for humans;

for no bird nor leaf will fly this way.

Here, you will be forever lost, that’s a promise,

or left behind; no one looking out for you –

 

it’ll matter little if the flight takes off without you . . .

Airports remind you, you are nothing;

then, if you’re one of those lucky frequent fliers,

elevate you to nothingness – going nowhere;

it’s like love – that flight is all.

Landings are far far easier. You ground. Baggage intact.

At IGI, T3, she asks, “Oh, barish ho raha hai bahar, kya?”

​

​

A Cat's Resolution

Steffi and I go a long way –

longer than this summer might last.

We listen to Cohen sing, ‘So long Marianne’,

our ears especially perk when he drawls

“Well you know that I love to live with you

But you make me forget so very much,”

we cut a deal long ago – Steffi and I –

not to let our lives interfere with Us.

In any case, she isn’t the kind

who’d reveal very much.

She just understood me the way I am – stranded,

nowhere particular to go; nothing much to do.

The more she evaluated my situation,

the more I slipped into hers –

both of us basking in the song,

falling tears.

As for me, I never asked why

she refused to read all the books in my library,

or utter the mantras her cat-mother whispered.

Steffi and I go a long way – pawing

each other’s dancing suns, large love-preys.

ARPAN DASGUPTA

Short Poems

​1. Fragile, yet so unbreakable;

a story of determination;

against expectations, a rebel!

The final victory’s addiction,

propelled by society’s spite,

peaking their destination.

Against all odds, they ignite

ignoring their kryptonite.

 

2. An ocean of voices.

Unending echoes reciprocated

by the subtle silence

Their unwanted isolation.

Uniqueness through powerlessness

 

3. Bangs, booms and cracks all around,

searing flashes even at midnight.

Pain... mind-numbing pain, relentless

Sacrifices for safety, the loyal liability.

After years, the rather gaping wound

reminding memoirs of blood.

Proud steps displaying to the world,

evidence of struggle, courage and survival.

​

Arpan Dasgupta

Arpan Dasgupta is a student of class ten, at DPS Ruby Park, Kolkata. He has an avid interest in literature and the various mythologies across the world.

GOPAL LAHIRI

Rock Story

The alphabets of frozen night rewind around that

buried hill where I map the reservoir traps,

let me take you to that place where the contours

close and isopach swells feeding the black gold.

 

Let me show you how the yellow owl drinks

star light in its search for the perpetual night

and how it holds the slices of winter moon

carrying me along in the silent mode.

 

I watch the abundance of limestone all around,

bluffs and cliffs that jutted around the perimeter,

winnowing the minute squishy mud grains, where

small calcite crystals reflect woven moon light.

 

I sew those stacked piles of crystal lattices

leaving their feet unlocked from the parent rock.

the winds rush through and I pluck stories

from the milky way simmering in the sky

Gopal Lahiri

Gopal Lahiri is a bilingual poet, critic, editor, writer and translator with thirty books to his credit, including eight solo/jointly edited books. His poetry and prose are published across more than one hundred journals and anthologies globally. His poems have been translated into eighteen languages and published in sixteen countries. He has been nominated for Pushcart Prize for poetry in 2021. He has received Setu Excellence Award, Pittsburgh, US, for poetry in 2020. He has been conferred First Jayanta Mahapatra National Award for literature in 2024 for his significant contribution in Indian English Writing. His collection of poems, Alleys are Filled with Future Alphabets, has received Pan Asian Ukiyoto awards.

In Search of a Newfound Life

I cannot hear anything

I cannot speak, my look is vacant,

I pray every night, alone and broken,

 

Maybe, I believe in miracles,

Maybe it’s easier this way.

My laughter, my tears go for a killing.

My folded palms then dissolve at the end

in the disappearing lines,

 

There is nothing much to say now,

A stillness hangs over,

a heart ice-covered within inclusiveness.

 

Come tomorrow and someone

will sift the ashes,

of my frail bones

and immerse them in water,

 

Elsewhere, it may nourish

the roots of the future plants,

 

I flow in the currents in search of self,

in search of a Newfound life.

Daybreak

You stand on the abandoned staircases,

in your breath, passing clouds with no names

whisper histories of the old days.

 

I live in. I walk in silence under the grey sky,

a tiny rain drop waits at the edge of a leaf

to declare the delayed daybreak.

 

This road chokes to a narrow puddle, two birds

fight for spaces on the broken branch,

my call receives only the mundane answers.

 

I think I can go missing now, a shadow

hastening past the bathing ghat, takes away

the anchored boats on the river bank.    

 

About time we get lost in each other’s eyes,

perhaps you can live here when I’ am gone.

JAYDEEP SARANGI 

Jaydeep Sarangi is a widely anthologized bilingual poet, poetry-activist and scholar of Dalit Studies. He has been dubbed as “Bard on the Banls of Dulung.” He is the President of the Guild of Indian English Writers, Editors and Critics (GIEWEC). He is the Principal at New Alipore College, Kolkata. Website: https://jaydeepsarangi.in/

 

"I will always be on the side of those who have nothing and who are not even allowed to enjoy the nothing they have in peace."

- Federico Garcia Lorca 

Memories of Desire 

Hold me to your spaces

not as a casual guest,

to ancient stones and caves.

Keeping memories of silence is a habit

with the heart of a plundered acre of green.

River underneath is a lover

waiting for a full moon. My desire

is a magic box you keep open in a drowsy night.

 

I stand among these ruins

of my silent prayers and passages.

This sweet sleep is needed for dreams

where you hold me tight, through this door

I never experimented in relationships.

 

Tell me your good names. Make me

your own before I go to a sleep-habit.

Jaydeep Sarangi

You are my Poet 

Don’t worry, dear poet,

Nothing of you ever caused me to change.

You are a good storm

All are good for your memories,

silences to my resume and form.

 

I’m no Sunday

to draw a break

Here morning is always bright

forever jasmine white, longing to see you.

I’m no virus

to infect you with my bad nose

I have come to set you free

your words from all necks.

Don’t keep a safe sofa in your guest room

I need some moments to share with you

after and before you sleep deep. Will sit.

Don’t treat me as a guest. A request.

GOPI KOTTOOR 

Thank you, John 

Thank you John.

For writing to me after a long time.

There are things I remember,

when you were here.

Our walk in the midnight rain,

for example, talking of girls,

of rare postage stamps,

the colours on birds,

and the meaning

of migration.

It's been years.

Perhaps if you come here again,

you must keep looking again and again,

 it'll not be easy to find me,

for I, must have changed.

Changed quite a bit.

Yet, if you recognize me now,

That would be enough.

Butterflies are our strengths.

They are our weakness too.

Find one for me when you are near

and blow upon its wings,

 your old breath

that is now about to die.

Just as me here,

and both of us pretending,

that death cannot come to us.

I remember someone asking Yudhisthira,

was it Krishna?

What is it that never ceases to surprise you?

And he said,

It is about everything around us dying,

and we who live

passing them by,

thinking we alone will never die.

That's the big surprise.

The girls. The music.

The old haunt.

The dance.

 Come back,

and let's once again

walk together in the midnight rain.

Thank you, for your letter

after all these years,

John.

Gopi Kottoor

Gopi Kottoor’s new poetry collection, Poems from America and Other Poems is expected  to be published shortly. What Else Is Rain, An Anthology of English Poetry from Kerala is also on the anvil. He edits the online poetry journal 'Chipmunk'. He lives in Thiruvananthapuram, Kerala.

Blind pair begging, Mumbai local train 

She's beautiful.

But he hasn't seen her beauty.

He never will.

She sings well.

And that he hears.

The heavy monsoon rain has soaked their clothes.

They are together

begging on the train.

She's singing a song

he's playing refrain.

Some things are hard.

Some things as togetherness

that the sighted keep looking everywhere,

their entire life

and never find it,

it is here,

in the nest of their closely held hands

where quiet birds nudge closer, warm.

God's garden 

The railway track is green.

God has made it

A garden path.

A hallelujah of tiny blue flowers

Before the next train arrives.

DR. SHRUTI SINGH

WhatsApp Image 2024-12-11 at 9.23_edited.jpg

Dr. Shruti Singh has worked at Babu Banarasi Das Institute of Engineering and Technology and Isabella Thoburn College. She has published papers and a book. Her areas of research interests include Indian poetry in English, Feminist Theory and Criticism, Professional Communication and English Language Teaching. She has taught Professional Communication, soft skills and regular courses of B.A and MA. Her doctoral research was on “Shifting Identities: A study of the poetry of Sujata Bhatt, Mamta Kalia and Kamala Das”. She has firm faith in ‘Hope’ and ‘God’.

Shruti 

Shruti the very word echoes within me and brings me back to my real self

Is it Shruti or Shruties

Is she a woman or Ved

Is she a oral tradition

Who is actually Shruti?

Shruti is someone whose is mentally dead;

Or she is rising like a phoenix from her ashes

Is it her mental rebirth?

Different shruties, different oral traditions and different stories,

Shruti is someone who teaches, Stiches or washes

Or someone who paints, cooks or writes

Or someone who rattles on petty things.

Is she a Sardarni or a Kashmiri or a Sanatani?

 

Which she heard several times.

Shruti -Ved- Oral tradition makes me complete

Feed pampers my mental self and revives my mental barrenness.

Shruti be at ease as you have infinite variety,

Shruti the very word echoes within me and brings me back to my real self!

JAYA UPADHYAY

She walks with nothing but her

ribs on display,

Like a death-artifact.

The flesh is intolerable to her,

So, she lets not an inch of it

Defile the sanctity of those bones.

Why doesn’t she eat?

Eating is intolerable to her.

Chewing and swallowing,

Chewing and swallowing.

Where is the motivation?

Everything is okay on the table,

Till she puts the morsel in her mouth,

Something makes her spit,

Vomit, void.

Then she is empty again,

At peace,

Purged of fullness.

Somewhere she lost the trust in the gustatory,

Of making an effort to taste the world.

The struggles of bitterness!

The sensations of sourness!

Perhaps she wants to be breast-fed again,

Or to swim in the amniotic fluid,

with an umbilical cord attached to her

Drowning in the pleasures of the

Untrained body/ mind.

Untrained for tasting, eating, existing.

Rexies

Jaya Upadhyay holds a Ph.D in the area of Gender Studies. She has been captivated by two ideas in recent years: Camus’s Absurdism and Shankaracharya’s monism, and she is trying to align her life with both. She frequently feels like Matthew Arnold’s runaway “Scholar Gypsy,” wandering through life like a nomad in pursuit of 'the self.' Her most sincere, and perhaps most complex, wish is to be able to befriend words.

Jaya Upadhyaya

PRITHVIJEET SINHA  

THE DEER

It all happened 

not so long ago-

 

2011 is just 

a whisper away-

 

 

I remember

red marks

from the southern belt's 

imploding kettle 

on our necks and foreheads,

the aggressions 

of a stolid and unforgivable 

May day

on a bus ride

and the sea,

blindingly bejeweled-

how it was so much 

like a mirage 

to us all.

 

 

 

But I remember 

most

the kindness 

of a convivial stranger

who saw me

staggering on my feet,

the fresh pelt

of pain

making me

sit 

on a tiny seat

in the animal reserve 

which we were visiting.

 

You paced

with consideration,

halted,

tilted your soft antlers 

towards my legs 

and showed me love,

sitting alongside 

this distressed 

young boy.

 

 

It was your kindness 

they couldn't tolerate 

and so one of them-

younger than me-

gave a hard tug

on your delicate tail. 

 

 

You ran

a bit too fast

for me to catch 

your reaction-

by then

the human mass

was stampeding back,

bringing with it

a contempt 

for our shared peace.

 

 

You were gone.

 

 

***

 

I remember 

the pain

that had 

come to my legs 

that day

and the heat

made me hit the 

ground.

 

There was still

something 

so enchanting 

and soft

and uncalculated 

about you-

you had comforted me

and kindness 

never actually expires 

even when it is 

shunned 

and mistrusted.

 

 

It was you-

one of a kind-

moving like

how God may move

among humans-

giving an injured body

the solicitousness

to walk back

without staggering 

on its misery.

 

And I have walked 

back 

with gratitude 

towards that day

ever since.

Prithvijeet Sinha is a proud resident of the cultural epicenter that is Lucknow. His prolific published credits encompass poetry, musings on the city, cinema, anthologies, journals of national and international repertoire as well as a blog. His life-force resides in writing, in the art of self-expression.

Prithvijeet Sinha

A SCAR  

There's a scar on

my brown sandal,

akin to a star sign.

I think it's beautiful 

how even the break 

in the leather tissue

has a certain poetry to it.

 

A tiny inner white thread

has started to show up

out of that earthy crack,

like a seedling

intent to

sprout

in the most 

extraordinary 

space of its own.

 

 

It's the visuality of it,

the poetics of it,

my eyes

transferring pretty 

possibilities 

to this 

mundane item

that could have been 

condemned 

and thrown out.

 

But now after the 

first drops 

of delayed rain

have opened up

the skies

for a long-term 

engagement

with our plains,

I'm certain

that flowers 

will grow 

out of that 

tear in the outer

surface.

 

I'll leave it out

on the stone.

It will 

house a green empire 

soon

within it.

 

An innocent bunch of shiulis

will

find its cosy 

little bed

in it first. 

 

***

 

You don't pray for these 

things.

 

They happen intrinsically 

in Nature. 

 

That is

the miracle.

 

 

Note-

shiuli is the Indian term for jasmine flowers. 

THE METRO

A paperback has been left 

on your seat.

Many hands have twirled

their forms 

around your overhead poles

and a bitter moon

has sliced its

favourable portion

to show itself

as a gray embodiment

of its night-mates. 

 

 

It's you

who's an insomniac,

your poetry

held within 

casual earshot

of the engine

always raring you

to go to the next stop.

 

It's the monuments

you glimpse

that 

have your schedules 

imprinted

like Crossword.

They 

do not begrudge

your bastion

of invention. 

They don't tire

of your 

obligation

to traverse

your routes

and look 

past them. 

 

It's the nature of 

your metier. 

 

You must never stop.

Your journey

has only begun.

ASHISH DWIVEDI 

“Two Kinds of Fire”

an imprint of an anonymous Hindustani poem

​

I never realised my mother’s lineage was of writers and painters,
who imagined the everyday in bizarre, poetic, and wildered ways,
much beyond our beloved grammarian’s deceitful creativity, that
was only admired by Father as he propagated Baba’s linguistics
as above poetry and my mother’s abstract way of loving. She’s
imprisoned by the Chhayawaad of yesterday, the hapless tales
of unadulterated happiness . . . something that holds no truth /
it’s unlike the literature of Nani that was brazen and wounded
by the shudders of society, unhappy like Ellison or Kamala Das
fighting itself within the aavarts of womanism and gender roles
tired by the lies of intellectualised brawn that just knows how
to silence. Her fire was relentless, Mother’s a scrawny history.
I could only imagine the divinity had their fires collapsed and
fell into the meteor arms of gigantism and power . . . longing
to kill not by mere words, but the sheer gaze of their poetries
was enough to rob the grammarian off its fragile roots . . . my
Father would be reminded where his children really belonged:
in the womb of the two fires that engulfed ice, dirt and storm
to become the women of tomorrow / unashamed, unsilenced
by histories of broken men narrated by other broken peoples.​​

Ashish Dwivedi is a creative writer, nonfiction editor, and a Film/Animation academic based out of Southampton, UK. Most of his creative work interplays with the triumvirate of tragedy, liberation, and satire; his work has been featured, or is upcoming, in both academic and creative journals and anthologies, including Café Dissensus, Silhouette Magazine, E-Cine India, and Poetry Pacific.

Ashish Dwivedi

"The Mekong River Bridge"

if only there was grass or dreams,
she would have tucked her
boyfriend shirt inside those
cream office pants, and
toppled over kiwi mousse
before heading to the house
where she would watch her
happiness lay dead, mushroomed
yack-yack and there it laughs,
and laughs, and laughs, and stops.
if only More was an architect,
she would have been the princess
of a thousand crowns, her castles
up like high-road horses and nymphs
jogging round her ears, tickling
and sucking out the waters of
idle awakening and a patterning
of bereavement that you could
either comprehend or bypass
like children play the Invisible Man.
if only her imaginations were nude,
and her spirit made of fascist steel,
the toppled mousse would have
been kiwi? I would demur: mango;
office pants? maybe, a black crochet

consuming happiness like malted beer,
and there for nymphs or horses breeding?
I would write: dolphins and snakes;
if only she were not a name, threaded
maybe, like the Mekong River Bridge.

"Cover or Love Letters?"

I told our dead silence
that I understand what cover letters do,
yet I am not going write them
for the trashy-piece-of-self-proclamation
it is: people writing about their
travels to space or Pushcart Prize nominations,
or instead about banana shakes
or begging magazines to let them drown in fame.
Why not write love letters instead?
walking hand-to-hand with rose petals swooning,
with every word kissing the lips
of bamboozled poetry seeking solace in journalism,
or journalism within creative nonfiction,
or creative nonfiction within poetry or half-eaten comedy?
Why not allow the empty words
find their meanings on their own, just like you watch
your child rise again from the dust,
or watching the little clown cancel all limitations
of nature that was once absolute?
Why not become shameless with the editor, naked,

clad in the cloth of petroglyphs
and reciting the lullabies of your tragic laughter,
floating in the waters of nonsense,
all-suggestive of your thrifty modesty, but shining
confidence as a writer who writes?
Simply put, I told the crackle of my pride that I cannot
just poison my cover letter with
stories that are meaningless and hold no substance instead I requested them to judge
my poetry in terms of truth, critique and dhvani,
not in terms of pride or flattery.

MILAN MONDAL

Strolling through the Lane of Moner Manush

Let me confess in front of you
Once I ventured to walk through a lane.
The lane seemed straight and bright,
As I paced a slight.

The more I advanced
The more I understood.
Physical ogles
Are not enough to unveil the crux of the lane.

Heterogeneous ingredients are yoked together here

Not by violence but by meditation
In an inversed way
To create the sensation.

The more I advanced into the lane
The more I was bewildered
The yogis are in an incessant yagna
To offer everything to be one with Maner Manush.

​

Notes-
Moner Manush - The presiding deity of the Bauls (folk-singers of Bengal).
Yogis- One who meditates to achieve something.
Yagna- Offerings of God into sacred fire along with chanting of hymns.

Milan Mondal doodles poetry for leisure. He has a special penchant for writing poetry on both common and esoteric themes. His poems have been included in the journals and anthologies of international repute. He may be reached at milanmondalapengnrc19@gmail.com.

Milan Mondal

THE FATAL ADVENTURE

S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma percioche giammai di questo fondo
Non torno vivo alcun, s’i’odo il vero,
Senza tema d’infamia ti rispondo. ……. The Divine Comedy (XXVII) by Dante

 

The Devil scrutinizes the landscape
In every inch with astonishment.
Its eyes enjoy the little mounds

In the front part of thirty-six inches.

​

The eyes move
And start gazing
The narrow lane
Of twenty-four inches.

​

The more it proceeds the landscape,
The more it heads towards the Hell
It traces the landscape full of herbs
But accidentally slips through the valley
And falls into the inescapable eternal ditch.

VISION

I entered the camp
With much hope.
The doctor checked my eyes and said,
“Perfectly alright are the eyes”.
I was about to leave the chamber joyfully
And the ophthalmologist remarked:
“Sir, yours are squint eyes.
Go for a surgery to be looked handsome”.

​

I left the chamber with a ‘broad vision’.

MRIDUSHI BOSE

Limitation!

The echo, the reverb of the word reprimands me
The definition of my being undergoes constant scrutiny
The best are predefined for me
They say this is my destiny
They see me with all my lack
I am a specimen
A subject
Never free of the gaze
To them, I always amaze
Either I have to be brilliant
Or too dull
For earning validation
Amongst the chaos of sustenance
After all, I am no Gull
Dismissals come easy
Acceptance comes rare
To the world around
I offer my disappointed glare
Nothing is ever enough
Frustration Irritation and Agitation are my mates
For my cocooned living is confined within the gates
I am no stranger to difficult

I aspire, I aim
I try, I fail, I yearn, I hurt
I moan
But to no avail
There is enforced pity all around
The yardstick of my success and failure is fairly small
I don't have the scope to defeat
Although, countless chances to repeat
All because I am bound by Limitation!

Mridushi Bose is a content marketing manager by profession and writer by choice. The quirks and intrigue brought by the written word is what propelled her to choose this as a career and dwell upon its wonders from time-to-time.

Mridushi Bose

NISHI PULUGURTHA

The Smiles and the Pain

I still remember the first time I saw him
A beautiful baby boy
7 months old
A smile when I spoke
some gurgles
and our talks continued

even when the muscles began to fail
when things became difficult
when the bed at home
became his space

the smiles remained
and our conversations went on

till they fell silent some years ago
or did they?

Nishi Pulugurtha is an academic, author, poet and translator. Her publications include Out in the Open and Across and Beyond in the genre of Travel Writing; The Real and the Unreal and Other Poems, Raindrops on the Periwinkle (Writers Workshop), Looking Poems (Red River) in poetry; and a coedited volume of poems – Voices and Vision, The First IPPL Anthology. Her short stories and essays include – “The Window Sill” and “Lockdown Times” and critical essays include “Literary Presentations of Pandemics, Epidemics and Pestilence” (Routledge). Her co-edited translation work and a fourth volume of poems is forthcoming.

And life moved on

The steps got wobbly
the gait somewhat unsteady
falls here and there
But he went on
for a while

white walls, passageways light and dark

a few machines that purred and whirred
white paper, haphazard images
that said much

the grey clouds spread out
long and wide
hope dimmed or did it?
and life moved on
with unwanted changes

the sun shone through at times
the smiles and talks continued

the cheer struggled through
and life moved on

football matches
wildlife documentaries
music to soothe
and life went on

Nishi Pulugurtha

SHAHEEN ISLAM

Where True Love Begins

In the quiet of their gentle grace,
Lies a world untainted, a sacred space.
Eyes that see with the purest sight,
Hearts that love with the brightest light.

​

Their steps may falter, their voices soft,
Yet they lift our spirits and carry us aloft.
In their smile, hides a world of dreams,
Where nothing is ever as hard as it seems.

​

In their laughter, pure and sweet,
We find a rhythm, and a steady beat.
In their touch, a soothing balm,
A reminder for us to find our own calm.

​

They teach us more than words can say,
In their simple, warm and loving way.
Their lives, a testament to strength and grace,
A beauty found in every place.

​

So let us cherish their innocent hearts,

For in their world, true love starts.
With every glance, with every touch,​

They show us that they care so much.

​

In their presence, we find our best,
A world where every soul is blessed.
For those who see with different eyes,
Reveal to us the brightest skies.

​

...And Never Ends

​

Shaheen - A Blessed Mom

Shaheen Islam is from a Psychology background and has been a teacher of English as a Second Language, a Centre Administrator for Cambridge International Primary Programme and Cambridge Lower Secondary Programme, as well as Head of a school in Saudi Arabia for over twenty years. On her return to India, she joined the Institute for Career Studies, Lucknow, where she has been working as a Senior Career Counsellor for the past twenty years. She has counseled hundreds of students in schools across India, Bangladesh and the UAE and conducted Teacher’s Training Programmes both in private and Government Schools across Uttar Pradesh and Madhya Pradesh. She has also had the honour and pleasure of working with specially-abled children, and is a Master Trainer for Direct Support Practitioners for neurodiverse adults. She joined the Association of Muslim Professionals (AMP), a Mumbai based NGO, working on 3 Es: Education, Employment and Empowerment in 2018 and after being Lucknow Chapter Head for a year, is now serving in the capacity of State Head, Uttar Pradesh since 2020.

Shaheen Islam

SIMRAN ADWANI

After a Long Sleep

I woke up
And I left a big nursery behind, new surname and a big arrival back from Auschwitz

Old letters as they say the omens are good, the people with strong original selves and a kid playing with
olives

​

After a long sleep
I still see the eyes of Juliet, Irish caper and expensive raw silk 
And yes a lady going for psychotherapy thinking about the most splendiferous conservatory added to
her house by the most expensive conservatory firm

​

After a long sleep
Never I wanted a cup of tea or open curtains
After a long sleep, I need another long sleep where poets meet each other with letters and orchids,
Where Edward and Diana wake up again after death and Presley is gifted a room of his own on his
favourite stage
Where people shouldn't be afraid of dying alone, where long conversation ends up with a soft hug

​

After a long sleep
Let me gift-tired people a few long sleeps!
Bestowal on Earth!

Simran Adwani is a nineteen year old Law student.

Simran Adwani

What is Your Name?

The little twig asked 
What is your name
I said twig, it quivered and smiled
I sought refuge in it
Entering the garden, I don't see the twig, I see my home
My own place

A home within a home

​

A meandering portion of my heart longs for my real self, longs for invisibility from the world, longs for
freedom
Longs for a walk with tiny grains in the field
Moonwalk with all the cats on this planet
Longs for leaning into Tista and kiss all the Label rohitas,
Sit on a branch and swing all the women
My heart longs for a shout out to all the children, "come, let's go outside and climb the mountains."

​

I hope the universe remembers it's promise which it made before my arrival
That it will allow me to wander afar,
To amaze my eternal essence,
To let me dance,
To let me gift each one with a gift of an unborn desire

​

Now, this time
An osprey asked me
What is your name
I said osprey

​

I see all the birds, all the stars, all the pebbles, all the therapists coming to me to ask
What is your name

​

One day I will find out
What is my real name?

Ineffable

Wrestling with the weightlessness of the space around, one morning destiny ticks ten
Asking to travel far away where the water is green and trees are red
Where the pebbles are white and flowers are mauve
Where I am flying to the sky and the sky is doing the reverse
Dahlia I see everywhere
Ballets Russes of Diaghilev just to the next corner

​

When destiny ticks ten
I would better go for ice and igloos
Islands near and far
Pines tall and turtles small
Rubbing hands with the oak
Where the tailors sew the longest curtain between me and world
The carpenters make a Narnia cupboard
And pumpkins make the fastest cart to help me run to the edge of the world 
There I find my travelling van with lots of black grapes and curry leaves

​

When destiny ticks ten
I will pronounce the longest word for the poets and draw a memory picture for the painters

​

Saint Bonaventure, I heard once whose body cuts across the painting from lower left to upper right
I would gaze at it for hours
I would pay my respect to the lamps and doorknobs who are the best secretaries of the world

​

Let the destiny tick ten
I would start with one
One moment, one life, one poem
One at a time, only one for a lifetime.

Jujubes

People who like jujubes should trust it's colour
People who like jujubes should trust Settihalli
In my dream I see thousands of jujubes all around
Mother keeps them near the feet of Saraswati, thanking her for every little big words

​

I would love to take care of all the jujubes, reciting poems of great poets while accommodating their
root system 
Garnishing it with utmost care
I would love to be left myself on the vine and to let myself dry and become wrinkled with them
If not this, then I would prefer to become a well drained soil for them

​

Jujubes, 
the kindest of all the fruits bring in the desire of planting more jujubes
Let me give handful of jujubes to all the children on this planet before I retire

​

Jujubes
Let me be your nitrogen!

Unfreeze
 

I unfreeze myself from diminutions
During dusk, dawn and deadlines
Unfreeze myself from the map which unrests me and tries to make me a globetrotter
From the buzzing sound of the bees who distracts me while swinging

From the phone calls which needs my attention
I unfreeze myself from the sub directions which sets limitations for me 

​

Deep down within there are no boundaries, no voice, no streets, no verses and no eyes
Only vibrations delicately carrying me like deep waters do
When once I was below Andaman waters diving in green liquid with zebra stripped fishes
Same do I feel here at the very moment

​

Galaxies of dreams I swim
More infinities I paddle
Piles of dry leaves I blow
Like penguin I walk, like igloo I sit, unfreezing myself from gibberishes

​

Unfreeze
My most cherished word
Touches me like the sound of meditation bowl 
Makes me blue like Strobilanthes Kunthiana of Nilgiris
Makes me curious like an alien language

​

Unfreeze, the last pilgrim within.

Between the air...

Between the air 
Things are shivering
Light fluctuating
Animals winking
Leaves are attracting me

Between the air

​

Between the air
I long for words
Let me choke myself with words
Between the air
Let me tremble
Between the air

​

Let me breathe with words
Between the air.

Check Lists in a Glass Jar

There have been too many check marks for too many people,
Too many times read aloud too loud,
With unreasonably convincing parameters to fulfill.

​

There have been check lists for reflections in a certain way,
Too shabby to derail from your intellectual stance,
That threaten you and me of an alien self.
There have been check lists for your wisdom count,
Too shallow to speak of justice at a glance,
Repeatedly weaving patterns of unending chaos.
There have been check lists for voices and smiles,
With measured quantities of social class,
Controlled and yet too free to be questioned. 
There have been check lists for him and check lists for her,
With decisive qualifications for gendered norms,
Too many and yet too safe within a glass jar.

​

I have been keeping a dictionary for norms and check lists now, 
Too tired at times to keep the correct count
For I know that you shall be rewriting it all. 

Amrita Sharma is an Assistant Professor in the Department of English at Sri Venkateswara College, University of Delhi, India. She has a Ph.D degree in English from the University of Lucknow and has been a Fulbright Fellow at the Centre for the Study of Languages and Cultures, University of Notre Dame, USA. Her works have previously been published in several national and international journals. Her first collection of poems is titled The Skies: Poems and she has been published as a part of ‘The Hawakal Young Poets Series 2022.

Email: sharma.amrita92@gmail.com

Amrita Sharma

AMRITA SHARMA

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