WELCOME TO PYSSUM LITERARIA
POETRY
GAYATRI MAJUMDAR
Becoming Man
It’s always a choice one makes –
not based on in-formed decision-taking,
but on something whispered like in a prayer.
Who would want to carry that burden?
Heavy with sighs and sweat
bearing the cross of love’s treachery;
minced nights, days of confusions
that cut skin-deep: becoming man
but unbroken. No blood shed yet.
It’s far more sensible to become than
to be, say, loved or accepted –
It’s a reenactment, minute-by-lifetime
of persuasions to be whole in a fractured planet;
presentable anyhow to slow seas and a teary moon.
It’s not in the attire – but in the intellect:
the heart must perennially remain well-armored.
It’s a forever dance with oneself
grooming in steps with cosmic rhythms;
a timid heart camouflaged
with bowties, rage and pretty red lips;
just at the edge of the gaze of patriarchy.
In this duality yet,
in complete unison with the other, lover.
Gayatri Majumdar founded, edited and published the critically acclaimed Indian literary journal, The Brown Critique (since 1995). Her books include A Song for Bela (2017) and Poetry Collections: Shout (Sampark, 2000), I Know You Are Here, A Warm Place with No Memory (Red River, 2019 and 2023 respectively) and The Dream Pod (Copper Coin; 2022). Her non-fictional works include The Lotus of the Heart (2021) and Home Anthology (Brown Critique Books). Gayatri lives in Pondicherry and curates the popular Pondicherry/Auroville Poetry Festival. Widely published, she also writes on spiritual/travel topics. Her poems are a part of New Anthology (2024) which features 20 major Indian-English poets.
Taking off at the Indian Airport
Airports are strange territories,
sad and distanced –
robbing you of belongings that were never yours.
Srinagar security check-in: She says,
“yeh nahi jayega” besides,
these river pebbles from Pahalgam
do not belong to you; in your fist,
they have only one use – as weapons.
After all, she adds, you are not a river;
for I do not see you as something that gurgles,
becalming streaming down dancing with the flow.
To demonstrate, she takes perfect aim
air-lifting pebbles into the bin.
At Chennai, she admonishes: Are you unaware
of these restricted items? (Licking away
the little flame left in me.)
This light should be carried within you,
candles are for alters, not for the skies;
you cannot hold them against it! You should’ve known!
At Jolly Grant, Dehradun, the woman just would not budge –
lest I smuggle it in – the trusting thing –
an empty coconut sanctified by
the priest of my inner temple.
“Okay, then. Eat it or return it to its origins”;
I let it go.
Airports continue to be unreal –
illusions of timelessness: when as its boarding time;
it’s a complete waste of time, even when we need to reach
someplace in a hurry!
You are stripped, unbuckled of everything,
yet they make you sprint – transporting you somewhere else
in motionless space – inevitably back to yourself.
And the less I consider Delhi airport, the better.
It’s a warzone, mostly for humans;
for no bird nor leaf will fly this way.
Here, you will be forever lost, that’s a promise,
or left behind; no one looking out for you –
it’ll matter little if the flight takes off without you . . .
Airports remind you, you are nothing;
then, if you’re one of those lucky frequent fliers,
elevate you to nothingness – going nowhere;
it’s like love – that flight is all.
Landings are far far easier. You ground. Baggage intact.
At IGI, T3, she asks, “Oh, barish ho raha hai bahar, kya?”
​
​
A Cat's Resolution
Steffi and I go a long way –
longer than this summer might last.
We listen to Cohen sing, ‘So long Marianne’,
our ears especially perk when he drawls
“Well you know that I love to live with you
But you make me forget so very much,”
we cut a deal long ago – Steffi and I –
not to let our lives interfere with Us.
In any case, she isn’t the kind
who’d reveal very much.
She just understood me the way I am – stranded,
nowhere particular to go; nothing much to do.
The more she evaluated my situation,
the more I slipped into hers –
both of us basking in the song,
falling tears.
As for me, I never asked why
she refused to read all the books in my library,
or utter the mantras her cat-mother whispered.
Steffi and I go a long way – pawing
each other’s dancing suns, large love-preys.
ARPAN DASGUPTA
Short Poems
​1. Fragile, yet so unbreakable;
a story of determination;
against expectations, a rebel!
The final victory’s addiction,
propelled by society’s spite,
peaking their destination.
Against all odds, they ignite
ignoring their kryptonite.
2. An ocean of voices.
Unending echoes reciprocated
by the subtle silence
Their unwanted isolation.
Uniqueness through powerlessness
3. Bangs, booms and cracks all around,
searing flashes even at midnight.
Pain... mind-numbing pain, relentless
Sacrifices for safety, the loyal liability.
After years, the rather gaping wound
reminding memoirs of blood.
Proud steps displaying to the world,
evidence of struggle, courage and survival.
​
Arpan Dasgupta is a student of class ten, at DPS Ruby Park, Kolkata. He has an avid interest in literature and the various mythologies across the world.
GOPAL LAHIRI
Rock Story
The alphabets of frozen night rewind around that
buried hill where I map the reservoir traps,
let me take you to that place where the contours
close and isopach swells feeding the black gold.
Let me show you how the yellow owl drinks
star light in its search for the perpetual night
and how it holds the slices of winter moon
carrying me along in the silent mode.
I watch the abundance of limestone all around,
bluffs and cliffs that jutted around the perimeter,
winnowing the minute squishy mud grains, where
small calcite crystals reflect woven moon light.
I sew those stacked piles of crystal lattices
leaving their feet unlocked from the parent rock.
the winds rush through and I pluck stories
from the milky way simmering in the sky
Gopal Lahiri is a bilingual poet, critic, editor, writer and translator with thirty books to his credit, including eight solo/jointly edited books. His poetry and prose are published across more than one hundred journals and anthologies globally. His poems have been translated into eighteen languages and published in sixteen countries. He has been nominated for Pushcart Prize for poetry in 2021. He has received Setu Excellence Award, Pittsburgh, US, for poetry in 2020. He has been conferred First Jayanta Mahapatra National Award for literature in 2024 for his significant contribution in Indian English Writing. His collection of poems, Alleys are Filled with Future Alphabets, has received Pan Asian Ukiyoto awards.
In Search of a Newfound Life
I cannot hear anything
I cannot speak, my look is vacant,
I pray every night, alone and broken,
Maybe, I believe in miracles,
Maybe it’s easier this way.
My laughter, my tears go for a killing.
My folded palms then dissolve at the end
in the disappearing lines,
There is nothing much to say now,
A stillness hangs over,
a heart ice-covered within inclusiveness.
Come tomorrow and someone
will sift the ashes,
of my frail bones
and immerse them in water,
Elsewhere, it may nourish
the roots of the future plants,
I flow in the currents in search of self,
in search of a Newfound life.
Daybreak
You stand on the abandoned staircases,
in your breath, passing clouds with no names
whisper histories of the old days.
I live in. I walk in silence under the grey sky,
a tiny rain drop waits at the edge of a leaf
to declare the delayed daybreak.
This road chokes to a narrow puddle, two birds
fight for spaces on the broken branch,
my call receives only the mundane answers.
I think I can go missing now, a shadow
hastening past the bathing ghat, takes away
the anchored boats on the river bank.
About time we get lost in each other’s eyes,
perhaps you can live here when I’ am gone.
JAYDEEP SARANGI
Jaydeep Sarangi is a widely anthologized bilingual poet, poetry-activist and scholar of Dalit Studies. He has been dubbed as “Bard on the Banls of Dulung.” He is the President of the Guild of Indian English Writers, Editors and Critics (GIEWEC). He is the Principal at New Alipore College, Kolkata. Website: https://jaydeepsarangi.in/
"I will always be on the side of those who have nothing and who are not even allowed to enjoy the nothing they have in peace."
- Federico Garcia Lorca
Memories of Desire
Hold me to your spaces
not as a casual guest,
to ancient stones and caves.
Keeping memories of silence is a habit
with the heart of a plundered acre of green.
River underneath is a lover
waiting for a full moon. My desire
is a magic box you keep open in a drowsy night.
I stand among these ruins
of my silent prayers and passages.
This sweet sleep is needed for dreams
where you hold me tight, through this door
I never experimented in relationships.
Tell me your good names. Make me
your own before I go to a sleep-habit.
You are my Poet
Don’t worry, dear poet,
Nothing of you ever caused me to change.
You are a good storm
All are good for your memories,
silences to my resume and form.
I’m no Sunday
to draw a break
Here morning is always bright
forever jasmine white, longing to see you.
I’m no virus
to infect you with my bad nose
I have come to set you free
your words from all necks.
Don’t keep a safe sofa in your guest room
I need some moments to share with you
after and before you sleep deep. Will sit.
Don’t treat me as a guest. A request.
GOPI KOTTOOR
Thank you, John
Thank you John.
For writing to me after a long time.
There are things I remember,
when you were here.
Our walk in the midnight rain,
for example, talking of girls,
of rare postage stamps,
the colours on birds,
and the meaning
of migration.
It's been years.
Perhaps if you come here again,
you must keep looking again and again,
it'll not be easy to find me,
for I, must have changed.
Changed quite a bit.
Yet, if you recognize me now,
That would be enough.
Butterflies are our strengths.
They are our weakness too.
Find one for me when you are near
and blow upon its wings,
your old breath
that is now about to die.
Just as me here,
and both of us pretending,
that death cannot come to us.
I remember someone asking Yudhisthira,
was it Krishna?
What is it that never ceases to surprise you?
And he said,
It is about everything around us dying,
and we who live
passing them by,
thinking we alone will never die.
That's the big surprise.
The girls. The music.
The old haunt.
The dance.
Come back,
and let's once again
walk together in the midnight rain.
Thank you, for your letter
after all these years,
John.
Gopi Kottoor’s new poetry collection, Poems from America and Other Poems is expected to be published shortly. What Else Is Rain, An Anthology of English Poetry from Kerala is also on the anvil. He edits the online poetry journal 'Chipmunk'. He lives in Thiruvananthapuram, Kerala.
Blind pair begging, Mumbai local train
She's beautiful.
But he hasn't seen her beauty.
He never will.
She sings well.
And that he hears.
The heavy monsoon rain has soaked their clothes.
They are together
begging on the train.
She's singing a song
he's playing refrain.
Some things are hard.
Some things as togetherness
that the sighted keep looking everywhere,
their entire life
and never find it,
it is here,
in the nest of their closely held hands
where quiet birds nudge closer, warm.
God's garden
The railway track is green.
God has made it
A garden path.
A hallelujah of tiny blue flowers
Before the next train arrives.
DR. SHRUTI SINGH
Dr. Shruti Singh has worked at Babu Banarasi Das Institute of Engineering and Technology and Isabella Thoburn College. She has published papers and a book. Her areas of research interests include Indian poetry in English, Feminist Theory and Criticism, Professional Communication and English Language Teaching. She has taught Professional Communication, soft skills and regular courses of B.A and MA. Her doctoral research was on “Shifting Identities: A study of the poetry of Sujata Bhatt, Mamta Kalia and Kamala Das”. She has firm faith in ‘Hope’ and ‘God’.
Shruti
Shruti the very word echoes within me and brings me back to my real self
Is it Shruti or Shruties
Is she a woman or Ved
Is she a oral tradition
Who is actually Shruti?
Shruti is someone whose is mentally dead;
Or she is rising like a phoenix from her ashes
Is it her mental rebirth?
Different shruties, different oral traditions and different stories,
Shruti is someone who teaches, Stiches or washes
Or someone who paints, cooks or writes
Or someone who rattles on petty things.
Is she a Sardarni or a Kashmiri or a Sanatani?
Which she heard several times.
Shruti -Ved- Oral tradition makes me complete
Feed pampers my mental self and revives my mental barrenness.
Shruti be at ease as you have infinite variety,
Shruti the very word echoes within me and brings me back to my real self!
JAYA UPADHYAY
She walks with nothing but her
ribs on display,
Like a death-artifact.
The flesh is intolerable to her,
So, she lets not an inch of it
Defile the sanctity of those bones.
Why doesn’t she eat?
Eating is intolerable to her.
Chewing and swallowing,
Chewing and swallowing.
Where is the motivation?
Everything is okay on the table,
Till she puts the morsel in her mouth,
Something makes her spit,
Vomit, void.
Then she is empty again,
At peace,
Purged of fullness.
Somewhere she lost the trust in the gustatory,
Of making an effort to taste the world.
The struggles of bitterness!
The sensations of sourness!
Perhaps she wants to be breast-fed again,
Or to swim in the amniotic fluid,
with an umbilical cord attached to her
Drowning in the pleasures of the
Untrained body/ mind.
Untrained for tasting, eating, existing.
Rexies
Jaya Upadhyay holds a Ph.D in the area of Gender Studies. She has been captivated by two ideas in recent years: Camus’s Absurdism and Shankaracharya’s monism, and she is trying to align her life with both. She frequently feels like Matthew Arnold’s runaway “Scholar Gypsy,” wandering through life like a nomad in pursuit of 'the self.' Her most sincere, and perhaps most complex, wish is to be able to befriend words.
PRITHVIJEET SINHA
THE DEER
It all happened
not so long ago-
2011 is just
a whisper away-
I remember
red marks
from the southern belt's
imploding kettle
on our necks and foreheads,
the aggressions
of a stolid and unforgivable
May day
on a bus ride
and the sea,
blindingly bejeweled-
how it was so much
like a mirage
to us all.
But I remember
most
the kindness
of a convivial stranger
who saw me
staggering on my feet,
the fresh pelt
of pain
making me
sit
on a tiny seat
in the animal reserve
which we were visiting.
You paced
with consideration,
halted,
tilted your soft antlers
towards my legs
and showed me love,
sitting alongside
this distressed
young boy.
It was your kindness
they couldn't tolerate
and so one of them-
younger than me-
gave a hard tug
on your delicate tail.
You ran
a bit too fast
for me to catch
your reaction-
by then
the human mass
was stampeding back,
bringing with it
a contempt
for our shared peace.
You were gone.
***
I remember
the pain
that had
come to my legs
that day
and the heat
made me hit the
ground.
There was still
something
so enchanting
and soft
and uncalculated
about you-
you had comforted me
and kindness
never actually expires
even when it is
shunned
and mistrusted.
It was you-
one of a kind-
moving like
how God may move
among humans-
giving an injured body
the solicitousness
to walk back
without staggering
on its misery.
And I have walked
back
with gratitude
towards that day
ever since.
Prithvijeet Sinha is a proud resident of the cultural epicenter that is Lucknow. His prolific published credits encompass poetry, musings on the city, cinema, anthologies, journals of national and international repertoire as well as a blog. His life-force resides in writing, in the art of self-expression.
A SCAR
There's a scar on
my brown sandal,
akin to a star sign.
I think it's beautiful
how even the break
in the leather tissue
has a certain poetry to it.
A tiny inner white thread
has started to show up
out of that earthy crack,
like a seedling
intent to
sprout
in the most
extraordinary
space of its own.
It's the visuality of it,
the poetics of it,
my eyes
transferring pretty
possibilities
to this
mundane item
that could have been
condemned
and thrown out.
But now after the
first drops
of delayed rain
have opened up
the skies
for a long-term
engagement
with our plains,
I'm certain
that flowers
will grow
out of that
tear in the outer
surface.
I'll leave it out
on the stone.
It will
house a green empire
soon
within it.
An innocent bunch of shiulis
will
find its cosy
little bed
in it first.
***
You don't pray for these
things.
They happen intrinsically
in Nature.
That is
the miracle.
Note-
shiuli is the Indian term for jasmine flowers.
THE METRO
A paperback has been left
on your seat.
Many hands have twirled
their forms
around your overhead poles
and a bitter moon
has sliced its
favourable portion
to show itself
as a gray embodiment
of its night-mates.
It's you
who's an insomniac,
your poetry
held within
casual earshot
of the engine
always raring you
to go to the next stop.
It's the monuments
you glimpse
that
have your schedules
imprinted
like Crossword.
They
do not begrudge
your bastion
of invention.
They don't tire
of your
obligation
to traverse
your routes
and look
past them.
It's the nature of
your metier.
You must never stop.
Your journey
has only begun.
ASHISH DWIVEDI
“Two Kinds of Fire”
an imprint of an anonymous Hindustani poem
​
I never realised my mother’s lineage was of writers and painters,
who imagined the everyday in bizarre, poetic, and wildered ways,
much beyond our beloved grammarian’s deceitful creativity, that
was only admired by Father as he propagated Baba’s linguistics
as above poetry and my mother’s abstract way of loving. She’s
imprisoned by the Chhayawaad of yesterday, the hapless tales
of unadulterated happiness . . . something that holds no truth /
it’s unlike the literature of Nani that was brazen and wounded
by the shudders of society, unhappy like Ellison or Kamala Das
fighting itself within the aavarts of womanism and gender roles
tired by the lies of intellectualised brawn that just knows how
to silence. Her fire was relentless, Mother’s a scrawny history.
I could only imagine the divinity had their fires collapsed and
fell into the meteor arms of gigantism and power . . . longing
to kill not by mere words, but the sheer gaze of their poetries
was enough to rob the grammarian off its fragile roots . . . my
Father would be reminded where his children really belonged:
in the womb of the two fires that engulfed ice, dirt and storm
to become the women of tomorrow / unashamed, unsilenced
by histories of broken men narrated by other broken peoples.​​
Ashish Dwivedi is a creative writer, nonfiction editor, and a Film/Animation academic based out of Southampton, UK. Most of his creative work interplays with the triumvirate of tragedy, liberation, and satire; his work has been featured, or is upcoming, in both academic and creative journals and anthologies, including Café Dissensus, Silhouette Magazine, E-Cine India, and Poetry Pacific.
"The Mekong River Bridge"
if only there was grass or dreams,
she would have tucked her
boyfriend shirt inside those
cream office pants, and
toppled over kiwi mousse
before heading to the house
where she would watch her
happiness lay dead, mushroomed
yack-yack and there it laughs,
and laughs, and laughs, and stops.
if only More was an architect,
she would have been the princess
of a thousand crowns, her castles
up like high-road horses and nymphs
jogging round her ears, tickling
and sucking out the waters of
idle awakening and a patterning
of bereavement that you could
either comprehend or bypass
like children play the Invisible Man.
if only her imaginations were nude,
and her spirit made of fascist steel,
the toppled mousse would have
been kiwi? I would demur: mango;
office pants? maybe, a black crochet
consuming happiness like malted beer,
and there for nymphs or horses breeding?
I would write: dolphins and snakes;
if only she were not a name, threaded
maybe, like the Mekong River Bridge.
"Cover or Love Letters?"
I told our dead silence
that I understand what cover letters do,
yet I am not going write them
for the trashy-piece-of-self-proclamation
it is: people writing about their
travels to space or Pushcart Prize nominations,
or instead about banana shakes
or begging magazines to let them drown in fame.
Why not write love letters instead?
walking hand-to-hand with rose petals swooning,
with every word kissing the lips
of bamboozled poetry seeking solace in journalism,
or journalism within creative nonfiction,
or creative nonfiction within poetry or half-eaten comedy?
Why not allow the empty words
find their meanings on their own, just like you watch
your child rise again from the dust,
or watching the little clown cancel all limitations
of nature that was once absolute?
Why not become shameless with the editor, naked,
clad in the cloth of petroglyphs
and reciting the lullabies of your tragic laughter,
floating in the waters of nonsense,
all-suggestive of your thrifty modesty, but shining
confidence as a writer who writes?
Simply put, I told the crackle of my pride that I cannot
just poison my cover letter with
stories that are meaningless and hold no substance instead I requested them to judge
my poetry in terms of truth, critique and dhvani,
not in terms of pride or flattery.
MILAN MONDAL
Strolling through the Lane of Moner Manush
Let me confess in front of you
Once I ventured to walk through a lane.
The lane seemed straight and bright,
As I paced a slight.
The more I advanced
The more I understood.
Physical ogles
Are not enough to unveil the crux of the lane.
Heterogeneous ingredients are yoked together here
Not by violence but by meditation
In an inversed way
To create the sensation.
The more I advanced into the lane
The more I was bewildered
The yogis are in an incessant yagna
To offer everything to be one with Maner Manush.
​
Notes-
Moner Manush - The presiding deity of the Bauls (folk-singers of Bengal).
Yogis- One who meditates to achieve something.
Yagna- Offerings of God into sacred fire along with chanting of hymns.
Milan Mondal doodles poetry for leisure. He has a special penchant for writing poetry on both common and esoteric themes. His poems have been included in the journals and anthologies of international repute. He may be reached at milanmondalapengnrc19@gmail.com.
THE FATAL ADVENTURE
S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma percioche giammai di questo fondo
Non torno vivo alcun, s’i’odo il vero,
Senza tema d’infamia ti rispondo. ……. The Divine Comedy (XXVII) by Dante
The Devil scrutinizes the landscape
In every inch with astonishment.
Its eyes enjoy the little mounds
In the front part of thirty-six inches.
​
The eyes move
And start gazing
The narrow lane
Of twenty-four inches.
​
The more it proceeds the landscape,
The more it heads towards the Hell
It traces the landscape full of herbs
But accidentally slips through the valley
And falls into the inescapable eternal ditch.
VISION
I entered the camp
With much hope.
The doctor checked my eyes and said,
“Perfectly alright are the eyes”.
I was about to leave the chamber joyfully
And the ophthalmologist remarked:
“Sir, yours are squint eyes.
Go for a surgery to be looked handsome”.
​
I left the chamber with a ‘broad vision’.
MRIDUSHI BOSE
Limitation!
The echo, the reverb of the word reprimands me
The definition of my being undergoes constant scrutiny
The best are predefined for me
They say this is my destiny
They see me with all my lack
I am a specimen
A subject
Never free of the gaze
To them, I always amaze
Either I have to be brilliant
Or too dull
For earning validation
Amongst the chaos of sustenance
After all, I am no Gull
Dismissals come easy
Acceptance comes rare
To the world around
I offer my disappointed glare
Nothing is ever enough
Frustration Irritation and Agitation are my mates
For my cocooned living is confined within the gates
I am no stranger to difficult
I aspire, I aim
I try, I fail, I yearn, I hurt
I moan
But to no avail
There is enforced pity all around
The yardstick of my success and failure is fairly small
I don't have the scope to defeat
Although, countless chances to repeat
All because I am bound by Limitation!
Mridushi Bose is a content marketing manager by profession and writer by choice. The quirks and intrigue brought by the written word is what propelled her to choose this as a career and dwell upon its wonders from time-to-time.
NISHI PULUGURTHA
The Smiles and the Pain
I still remember the first time I saw him
A beautiful baby boy
7 months old
A smile when I spoke
some gurgles
and our talks continued
even when the muscles began to fail
when things became difficult
when the bed at home
became his space
the smiles remained
and our conversations went on
till they fell silent some years ago
or did they?
Nishi Pulugurtha is an academic, author, poet and translator. Her publications include Out in the Open and Across and Beyond in the genre of Travel Writing; The Real and the Unreal and Other Poems, Raindrops on the Periwinkle (Writers Workshop), Looking Poems (Red River) in poetry; and a coedited volume of poems – Voices and Vision, The First IPPL Anthology. Her short stories and essays include – “The Window Sill” and “Lockdown Times” and critical essays include “Literary Presentations of Pandemics, Epidemics and Pestilence” (Routledge). Her co-edited translation work and a fourth volume of poems is forthcoming.
And life moved on
The steps got wobbly
the gait somewhat unsteady
falls here and there
But he went on
for a while
white walls, passageways light and dark
a few machines that purred and whirred
white paper, haphazard images
that said much
the grey clouds spread out
long and wide
hope dimmed or did it?
and life moved on
with unwanted changes
the sun shone through at times
the smiles and talks continued
the cheer struggled through
and life moved on
football matches
wildlife documentaries
music to soothe
and life went on
SHAHEEN ISLAM
Where True Love Begins
In the quiet of their gentle grace,
Lies a world untainted, a sacred space.
Eyes that see with the purest sight,
Hearts that love with the brightest light.
​
Their steps may falter, their voices soft,
Yet they lift our spirits and carry us aloft.
In their smile, hides a world of dreams,
Where nothing is ever as hard as it seems.
​
In their laughter, pure and sweet,
We find a rhythm, and a steady beat.
In their touch, a soothing balm,
A reminder for us to find our own calm.
​
They teach us more than words can say,
In their simple, warm and loving way.
Their lives, a testament to strength and grace,
A beauty found in every place.
​
So let us cherish their innocent hearts,
For in their world, true love starts.
With every glance, with every touch,​
They show us that they care so much.
​
In their presence, we find our best,
A world where every soul is blessed.
For those who see with different eyes,
Reveal to us the brightest skies.
​
...And Never Ends
​
Shaheen - A Blessed Mom
Shaheen Islam is from a Psychology background and has been a teacher of English as a Second Language, a Centre Administrator for Cambridge International Primary Programme and Cambridge Lower Secondary Programme, as well as Head of a school in Saudi Arabia for over twenty years. On her return to India, she joined the Institute for Career Studies, Lucknow, where she has been working as a Senior Career Counsellor for the past twenty years. She has counseled hundreds of students in schools across India, Bangladesh and the UAE and conducted Teacher’s Training Programmes both in private and Government Schools across Uttar Pradesh and Madhya Pradesh. She has also had the honour and pleasure of working with specially-abled children, and is a Master Trainer for Direct Support Practitioners for neurodiverse adults. She joined the Association of Muslim Professionals (AMP), a Mumbai based NGO, working on 3 Es: Education, Employment and Empowerment in 2018 and after being Lucknow Chapter Head for a year, is now serving in the capacity of State Head, Uttar Pradesh since 2020.
SIMRAN ADWANI
After a Long Sleep
I woke up
And I left a big nursery behind, new surname and a big arrival back from Auschwitz
Old letters as they say the omens are good, the people with strong original selves and a kid playing with
olives
​
After a long sleep
I still see the eyes of Juliet, Irish caper and expensive raw silk
And yes a lady going for psychotherapy thinking about the most splendiferous conservatory added to
her house by the most expensive conservatory firm
​
After a long sleep
Never I wanted a cup of tea or open curtains
After a long sleep, I need another long sleep where poets meet each other with letters and orchids,
Where Edward and Diana wake up again after death and Presley is gifted a room of his own on his
favourite stage
Where people shouldn't be afraid of dying alone, where long conversation ends up with a soft hug
​
After a long sleep
Let me gift-tired people a few long sleeps!
Bestowal on Earth!
Simran Adwani is a nineteen year old Law student.
What is Your Name?
The little twig asked
What is your name
I said twig, it quivered and smiled
I sought refuge in it
Entering the garden, I don't see the twig, I see my home
My own place
A home within a home
​
A meandering portion of my heart longs for my real self, longs for invisibility from the world, longs for
freedom
Longs for a walk with tiny grains in the field
Moonwalk with all the cats on this planet
Longs for leaning into Tista and kiss all the Label rohitas,
Sit on a branch and swing all the women
My heart longs for a shout out to all the children, "come, let's go outside and climb the mountains."
​
I hope the universe remembers it's promise which it made before my arrival
That it will allow me to wander afar,
To amaze my eternal essence,
To let me dance,
To let me gift each one with a gift of an unborn desire
​
Now, this time
An osprey asked me
What is your name
I said osprey
​
I see all the birds, all the stars, all the pebbles, all the therapists coming to me to ask
What is your name
​
One day I will find out
What is my real name?
Ineffable
Wrestling with the weightlessness of the space around, one morning destiny ticks ten
Asking to travel far away where the water is green and trees are red
Where the pebbles are white and flowers are mauve
Where I am flying to the sky and the sky is doing the reverse
Dahlia I see everywhere
Ballets Russes of Diaghilev just to the next corner
​
When destiny ticks ten
I would better go for ice and igloos
Islands near and far
Pines tall and turtles small
Rubbing hands with the oak
Where the tailors sew the longest curtain between me and world
The carpenters make a Narnia cupboard
And pumpkins make the fastest cart to help me run to the edge of the world
There I find my travelling van with lots of black grapes and curry leaves
​
When destiny ticks ten
I will pronounce the longest word for the poets and draw a memory picture for the painters
​
Saint Bonaventure, I heard once whose body cuts across the painting from lower left to upper right
I would gaze at it for hours
I would pay my respect to the lamps and doorknobs who are the best secretaries of the world
​
Let the destiny tick ten
I would start with one
One moment, one life, one poem
One at a time, only one for a lifetime.
Jujubes
People who like jujubes should trust it's colour
People who like jujubes should trust Settihalli
In my dream I see thousands of jujubes all around
Mother keeps them near the feet of Saraswati, thanking her for every little big words
​
I would love to take care of all the jujubes, reciting poems of great poets while accommodating their
root system
Garnishing it with utmost care
I would love to be left myself on the vine and to let myself dry and become wrinkled with them
If not this, then I would prefer to become a well drained soil for them
​
Jujubes,
the kindest of all the fruits bring in the desire of planting more jujubes
Let me give handful of jujubes to all the children on this planet before I retire
​
Jujubes
Let me be your nitrogen!
Unfreeze
I unfreeze myself from diminutions
During dusk, dawn and deadlines
Unfreeze myself from the map which unrests me and tries to make me a globetrotter
From the buzzing sound of the bees who distracts me while swinging
From the phone calls which needs my attention
I unfreeze myself from the sub directions which sets limitations for me
​
Deep down within there are no boundaries, no voice, no streets, no verses and no eyes
Only vibrations delicately carrying me like deep waters do
When once I was below Andaman waters diving in green liquid with zebra stripped fishes
Same do I feel here at the very moment
​
Galaxies of dreams I swim
More infinities I paddle
Piles of dry leaves I blow
Like penguin I walk, like igloo I sit, unfreezing myself from gibberishes
​
Unfreeze
My most cherished word
Touches me like the sound of meditation bowl
Makes me blue like Strobilanthes Kunthiana of Nilgiris
Makes me curious like an alien language
​
Unfreeze, the last pilgrim within.
Between the air...
Between the air
Things are shivering
Light fluctuating
Animals winking
Leaves are attracting me
Between the air
​
Between the air
I long for words
Let me choke myself with words
Between the air
Let me tremble
Between the air
​
Let me breathe with words
Between the air.
Check Lists in a Glass Jar
There have been too many check marks for too many people,
Too many times read aloud too loud,
With unreasonably convincing parameters to fulfill.
​
There have been check lists for reflections in a certain way,
Too shabby to derail from your intellectual stance,
That threaten you and me of an alien self.
There have been check lists for your wisdom count,
Too shallow to speak of justice at a glance,
Repeatedly weaving patterns of unending chaos.
There have been check lists for voices and smiles,
With measured quantities of social class,
Controlled and yet too free to be questioned.
There have been check lists for him and check lists for her,
With decisive qualifications for gendered norms,
Too many and yet too safe within a glass jar.
​
I have been keeping a dictionary for norms and check lists now,
Too tired at times to keep the correct count
For I know that you shall be rewriting it all.
Amrita Sharma is an Assistant Professor in the Department of English at Sri Venkateswara College, University of Delhi, India. She has a Ph.D degree in English from the University of Lucknow and has been a Fulbright Fellow at the Centre for the Study of Languages and Cultures, University of Notre Dame, USA. Her works have previously been published in several national and international journals. Her first collection of poems is titled The Skies: Poems and she has been published as a part of ‘The Hawakal Young Poets Series 2022.’
Email: sharma.amrita92@gmail.com